Lovecraftian witch house is a subgenre of electronic music that combines elements of witch house and dark ambient with themes inspired by the works of H.P. Lovecraft. Lovecraftian witch house is characterized by its haunting and eerie soundscapes, heavy use of reverb and distortion, and lyrics and samples that reference Lovecraftian cosmic horror and the occult. Witch house, also known as drag or haunted house, is a genre of electronic music that emerged in the late 2000s. It draws influences from a variety of genres, including shoegaze, industrial, and trap.
Kirkus Reviews Issue: Sept. 1, 2022
This tale s commentary on the commercialization of holidays is overshadowed by the destructive woman s rage, leaving readers to decipher layered messages about capitalism and anger; those unfamiliar with the first book will have an especially hard time doing so. While the Christmas Witch finds a spot to sleep in the woods, a girl named Poppy causes a ruckus at home, ridiculing her brother for believing in Santa.
It draws influences from a variety of genres, including shoegaze, industrial, and trap. Witch house is often characterized by its slowed-down, dreamy beats, chopped and screwed vocals, and occult and horror imagery. The genre has a dark and occult atmosphere, which aligns well with Lovecraftian themes.
The Return of the Christmas Witch
In the much-anticipated follow-up to the bestselling The Legend of the Christmas Witch, Parks and Recreation star Aubrey Plaza and creative partner Dan Murphy's fiery heroine has returned. . . and this time she's taking on Christmas.
By now you’ve heard the legend, all but forgotten, of Santa Claus’s twin sister. Many years ago, this shadowy figure followed in Santa’s footsteps, searching for him while leaving odd gifts of her own. One fateful night, they finally came face-to-face, and she hasn’t been heard from since. Until now . . .
The Christmas Witch has returned.
After centuries trapped in her icy chamber, the snow is finally melting, and Kristtörn awakens. She finds that the holiday she loved is now controlled by the mysterious Kringle Corporation. She embarks on a journey to a world unknown to her, where she meets the inventive young Poppy and sweet old reindeer Donner, who agree to help her restore Christmas to its former glory. Little do they know that she wants more than order . . . she wants revenge.
In the highly anticipated follow-up to the bestselling The Legend of the Christmas Witch, award-winning producer and actress Aubrey Plaza and her creative partner Dan Murphy give the true spirit of Christmas a modern and wonderfully witchy twist.
Aubrey Plaza, originally from Delaware, is best known for her role as April Ludgate on Parks and Recreation. She has produced and starred in several films, as well as performed at the Upright Citizens Brigade Theatre in New York. She currently lives in California and is known to dress up like a witch every Christmas.
Dan Murphy is a writer and producer who lives in Los Angeles, California. Originally from Delaware, he is a graduate of the Tisch School of the Arts at NYU and has been creative partners with Aubrey for over fifteen years.
Julia Iredale is an illustrator from Victoria, British Columbia. She studied illustration at Emily Carr University of Art and Design, and now spends her time painting, making books, and, whenever possible, escaping into the magic forests of the Canadian West Coast.
Strictly for fans of the character’s first outing. (Picture book. 5-10)
Lovecraftian witch house takes these elements and adds a distinct Lovecraftian twist. The works of H.P. Lovecraft, an influential writer of cosmic horror fiction from the early 20th century, often explore the insignificance of humanity in the face of a vast and uncaring universe. Lovecraft's stories are populated by ancient cosmic entities, forbidden knowledge, and dark cults, creating a sense of existential dread and terror. In Lovecraftian witch house, artists incorporate Lovecraftian themes through their lyrics, samples, and visual aesthetics. The lyrics often reference Lovecraft's stories, drawing inspiration from the ancient gods, forbidden texts, and the ever-present fear of the unknown. Samples from Lovecraft adaptations and horror movies, as well as eerie sound effects, are used to create an unsettling atmosphere. Musically, Lovecraftian witch house combines the distorted and ethereal sounds of witch house with elements of dark ambient music. Dark ambient is a genre that focuses on creating atmospheric and textured soundscapes, using techniques such as field recordings, synthesizers, and eerie vocal samples. Lovecraftian witch house takes these elements and enhances them with the use of heavy reverb, distortion, and other effects, creating a sense of otherworldliness and cosmic horror. Lovecraftian witch house is a niche genre that attracts fans of both witch house and Lovecraft's works. It provides a unique blend of dark electronic music with Lovecraftian themes, creating an immersive and unsettling experience for listeners. Whether you are a fan of electronic music, cosmic horror, or both, Lovecraftian witch house offers a compelling and haunting musical journey into the depths of the unknown..
Reviews for "Unleashing the Eldritch Beats of Lovecraftian Witch House"
1. John - 2/5 - I had high hopes for "Lovecraftian Witch House" as a fan of both Lovecraft and witch house music, but sadly, it fell flat for me. The combination of the two genres felt forced and unnatural, lacking the atmospheric depth that I was expecting. The beats were repetitive, and the lyrics failed to capture the essence of Lovecraft's dark and enigmatic world. Overall, the album felt like a missed opportunity to create something truly innovative and captivating.
2. Sarah - 3/5 - As a fan of witch house, I was excited to explore the Lovecraftian twist, but unfortunately, it didn't quite hit the mark for me. While the experimental and eerie elements of the genre were present, it just didn't feel seamless with the Lovecraftian theme. The lyrics were often too obscure and didn't offer a coherent narrative, leaving me disconnected and unable to fully immerse myself in the music. While there were certainly some standout tracks, the overall execution lacked the cohesion and impact I was hoping for.
3. David - 2/5 - "Lovecraftian Witch House" seemed like a refreshing and unique concept, but I found it difficult to connect with the music. The heavy distortion and distorted vocals overshadowed any potential atmospheric or melodic elements, leaving me feeling disoriented and unable to fully enjoy the experience. Additionally, the lyrics often felt cliché and overused, falling into the same tropes of darkness and occultism. Overall, the album lacked the depth and innovation I was expecting, ultimately failing to leave a lasting impact.
4. Emily - 2/5 - While "Lovecraftian Witch House" promised to combine two interesting genres, it failed to deliver a coherent and enjoyable listening experience for me. The tracks often felt disjointed and haphazardly put together, lacking a sense of structure or progression. Additionally, the overuse of distorted vocals and heavy effects made it difficult to decipher the lyrics, further adding to the disjointedness. Overall, the album felt like a collection of random sounds rather than a cohesive musical journey, leaving me disappointed and unable to fully appreciate the fusion of Lovecraftian and witch house elements.