In the world of magic, there are many unique and fascinating artifacts. One such artifact is the duplicated magical case, a rare item that poses both benefits and challenges to its owner. The duplicated magical case is a specially crafted container that has the ability to replicate its contents. It is said to have been created by an ancient wizard who sought a solution to the problem of limited storage space. With the duplicated magical case, one no longer has to worry about running out of room for their magical items. The case itself appears to be a regular, nondescript wooden box.
New Discoveries in Magical Egypt 2
In 2008 a team of career artists, art and architecture historians, and comparative mythology scholars began a ten-year research project to study ancient aesthetic canons and related forms of visual expression used in Ancient Egypt. “Magical Egypt” presents the results of the project in the new season of the documentary series.
The team has discovered a previously unrecognized visual language, a type of visual cipher, hidden in the hieroglyphic reliefs, statuary, and architectural motifs of ancient Egypt. The message encrypted in this visual language is scientific. It records and transmits the core principles of a very sophisticated ancient science.
The discovery holds severe implications for art history as well as scientific history. These discoveries show an unprecedented marriage of art and science that allows central scientific principles to be communicated visually, in a trans-lingual mode of transmission.
These discoveries stand at odds with the generally held view that the ancient Egyptians did not know what the brain was for, and are confrontational to the generally agreed-upon picture of the ancient psyche and the level of scientific sophistication in place in the ancient world.
Just as surprising as the sophistication of the ancient science is its focus - the artwork transmits beautifully encrypted schematics of brain architecture and other biological systems: most having to do with either the mystery of consciousness or the mystery of reproduction.
The more examples the team compiled, the more it seemed that the entire culture was a giant expression of an ancient story told through art and symbol. The story serves as an allegory, or to use a more modern term, a dynamic model of the mysteries of consciousness itself. First, it schematizes the vital biological systems that are involved with consciousness. Then, through the use of mythos, legend, and symbol, it ascribes to them an array of descriptors, specific behaviors, tendencies, affinities, and other operational, functional information making for a brilliant transmission of both the form and function
Chance Gardner and Brad Klausen Discuss their Findings
Historical Precedent For Biological Correspondence in Art
A precedent for biological correspondence in art was set in the Oct 10th, 1990 Issue of JAMA when Dr. Frank Meshberger published the theory and the visual proofs that Michaelangelo had depicted a brain in his painting “The Creation of Adam” on the ceiling of the Sistine Chapel. When the painting is compared with or overlaid upon its “biological correspondence”, in this case, the human brain in sagittal view, we see that not only does it demonstrate a sophisticated knowledge of the physical attributes of the brain, but it marries symbolism to each location to suggest the function of the various physical systems. A particular emphasis is placed on Sophia, goddess of divine knowledge, emerging from the midbrain, diencephalon complex at the area where the thalamus, third and fourth ventricles, and choroid plexus are located. This seems to be the juncture of our circulatory, nervous, and endocrine systems, that is repeatedly pointed to in the ancient science. Thus in these artistic traditions, it is associated with a specific kind of divinity.
Another precedent for biological correspondence in art was set in Dec 2007 when Alessandro Paluzzi, Antonio Belli, Peter Bain, and Laura Viva published Brain ‘imaging’ in the Renaissance discussing several examples of hidden symbolism in Renaissance paintings including Gerard David's painting of the ‘Transfiguration of Christ’ resembles a coronal section of the brain.
Once we were alerted to the presence of this technique, it became visible in the sacred art of other cultures as well, eventually leading to recognizing this ancient scientific message in use from the very earliest expressions of sacred art.
The case itself appears to be a regular, nondescript wooden box. Its true power is only revealed when its owner utters the activation spell. Once activated, the case is able to create an exact duplicate of any item placed inside it.
A new kind of Rosetta Stone: The decoder ring of “biological correspondence.”
The discovery of the Rosetta Stone was a profoundly significant discovery for early Egyptologists who were trying to understand how to read hieroglyphics. Because the Rosetta Stone duplicated an identical message in three languages, it eventually gave linguists the ability to cross-analyze and compare an Egyptian text with the better understood Greek and Hieratic writings, whose meanings were known. It also alerted linguists and Egyptological researchers to the fact that the hieroglyphs and reliefs can hold multiple registers or layers of meaning at once.
The discovery of a hidden visual encryption technique that the team refers to as Biological Correspondence is significant in a very similar way to the Rosetta Stone because it allowed for the discovery of a layer of communication, as well as an unrecognized message. This message was hidden in plain sight, radiating through the art, statuary, and architecture of Ancient Egypt, expressing the most central scientific principles known to the ancient culture.
One of the biggest initial surprises was that the message is not theological - it is scientific. And perhaps more interestingly still, the science it expresses is an anomalously sophisticated one that calls into question everything we thought we knew about the ancient intellect. The message may go a long way towards answering some of the biggest mysteries of Egyptology and human history.
Below is a presentation of some of the significant discoveries presented in the Magical Egypt season 2 documentary series..
DISCOVERY #1 Eye of Horus correlation with the human limbic system.
Author Gary Osborn discovered the earliest of the visual correspondences at the end of 1997. Gary had been researching the unusual layout and geometric measures encrypted in the great pyramid of Giza, especially the odd arrangement of the interior chambers known as the kings and queens chambers. With the suspicion that their odd placement in the structure was meaningful, Gary had the epiphany of overlaying a sagittal view outline of the human brain upon a schematic of the pyramid interior. He found that the spacial relationship between the inner structure of the pyramid and the brain were related, particularly the architecture of the chambers in the great pyramid and that of key structures of the brain.
As Gary began checking other significant hieroglyphs and architectural structures, he compared the iconic eye of Horus to the sagittal view of the human brain. The correlation was immediately apparent. Not only was there a direct correspondence between the eye of Horus symbol and the human limbic system, but it was so specific as to render the image a perfect diagram or schematic of this key conjuncture of brain systems. It not only demonstrates a very sophisticated understanding of brain structure but seems to be hinting at the actual function of each of the components that make up the central limbic system of the brain.
MAGICAL EGYPT 2 – 6 DVD & 30 STREAMS!
A 5-year research project studying art and architecture in ancient Egypt has uncovered an unexpected revelation that strikes the very foundations of what we believed about the ancient Egyptians. The discovery calls for a radical re-appraisal of both the general intelligence and the degree of scientific sophistication in ancient Egypt and much of the rest of the ancient world. A team of artists discovered an unrecognized visual language – a type of visual cipher – ingeniously hidden in the hieroglyphic reliefs, statuary, and architectural motifs of ancient Egyptian temples and tombs. The ciphers include an impressive array of highly sophisticated and medically accurate schematics of the human brain and nervous system, emphasizing the biological and neurological systems that give rise to consciousness.
FREE GIFT – Magical Egypt Companions – Streaming
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Magical Egypt Symposium
Over 20 hours of the worlds leading minds discussing topics pertinent to Magical Egypt including Laird Scranton, Rick Strassman, Mantak Chia, Thomas Sheridan, Christopher Dunn, Tony Wright, Aaron Cheak, Gary, and Heather Osborn, Max Igan and many more!
Magical Egypt LIVE
Vanese Mc Neill interviews todays luminaries. Topics include Alternate History, Magick, Shamanism, Entheogens, Consciousness with Thomas Sheridan, Shonagh Home, Peter Mark Adams, Mark Stavish and many more!
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Sacred Physiology
Brad Klausen featured in Magical Egypt Series 2 takes us on a deep dive though Sacred Physiology!
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MagicalEgyptOfficial
destruction, and appropriation! Addressing briefly the historical and ongoing efforts to suppress magical practices, I explore various periods, from ancient Egypt to Medieval Europe, where magic faced suppression due to political and religious reasons. I contend that those in power actively seek to control knowledge and information, even using magick against us, to maintain order and stability while keeping us magically depowered.
Video I refer too
• The Spiritual Meaning of the Sexes .
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00:03 Suppression and destruction of magic throughout history
03:01 Suppression of magic in ancient Egypt and Medieval Europe
08:51 Authorities suppress magic to maintain control and stability
11:39 Magic disrupts established narratives and challenges political authority.
17:24 Understanding the mind is crucial for dark sorcery.
20:06 Understanding the balance of gender dynamics is crucial for collective manifestation.
25:35 Egregors are non-physical entities created from collective thoughts.
28:01 Magic has been suppressed and practitioners persecuted.
32:41 New age manifestors miss fundamentals of magic and manifestation.
35:00 Ancient people used animal skins to access shamanic states for hunting prowess.
39:44 Magic is suppressed by a conspiracy to control and depower people.
42:03 Forbidden Magick has been a part of human history for centuries.
Today I delve into the intriguing world of magic, unraveling it's historical suppression, destruction, and appropriation! Addressing briefly the historical and ongoing efforts to suppress magical practices, I explore various periods, from ancient Egypt to Medieval Europe, where magic faced suppression due to political and religious reasons. I contend that those in power actively seek to control knowledge and information, even using magick against us, to maintain order and stability while keeping us magically depowered.
Get the latest updates on our link tree
Own Magical Egypt
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55 0:46Provides an overview of my forthcoming course on The Egyptian Mysteries.
Scheduled for 11th, 18th & 25th of January 2024.
Registration through: magicalegyptstore.com
Mark Passio and Joseph Patrick Farrell are both featured in Heka!
It has been stated that: “Ten measures of Magic were given to the world; Egypt received nine while the rest of the world received one."
Magic was the operative aspect of Ancient Egypt.
Understanding Magic is intrinsic to understanding Ancient Egypt. Yet, Magic is noticeably absent from the orthodox interpretation. Is it because Magic is unthinkable to the modern materialist mindset?
As we will see, this central issue's omission leaves us with a dataset that makes no sense and in no way corresponds to the observable reality of history. Its inclusion, however, snaps Ancient Egypt and the ancient world into focus so decisively that it leaves little to question.
In Season 4 we take an unapologetic and unwavering look into the eyes of Heka.
Through the insights of the leading thinkers, researchers and practitioners, we reframe the singular activity of the ancient world - a grand expression of a living Magic that lives in the relationship between individual consciousness and the conscious fabric of reality.
Season 4 is for the intrepid soul willing to ignore those who would have us believe that there is no Magic, and who is ready to embrace the idea that no matter how advanced the technology, it does not do what Magic does.
https://wow.magicalegyptstore.com/heka
Dr Joanna Kujawa, unveils the dance of embracing magick within the tapestry of Heka.
HEKA!
It has been stated that: “Ten measures of Magic were given to the world; Egypt received nine while the rest of the world received one."
Magic was the operative aspect of Ancient Egypt.
Understanding Magic is intrinsic to understanding Ancient Egypt. Yet, Magic is noticeably absent from the orthodox interpretation. Is it because Magic is unthinkable to the modern materialist mindset?
As we will see, this central issue's omission leaves us with a dataset that makes no sense and in no way corresponds to the observable reality of history. Its inclusion, however, snaps Ancient Egypt and the ancient world into focus so decisively that it leaves little to question.
In Season 4 we take an unapologetic and unwavering look into the eyes of Heka.
Through the insights of the leading thinkers, researchers and practitioners, we reframe the singular activity of the ancient world - a grand expression of a living Magic that lives in the relationship between individual consciousness and the conscious fabric of reality.
Season 4 is for the intrepid soul willing to ignore those who would have us believe that there is no Magic, and who is ready to embrace the idea that no matter how advanced the technology, it does not do what Magic does.
https://wow.magicalegyptstore.com/heka
It has been stated that: “Ten measures of Magic were given to the world; Egypt received nine while the rest of the world received one."
Magic was the operative aspect of Ancient Egypt.
Understanding Magic is intrinsic to understanding Ancient Egypt. Yet, Magic is noticeably absent from the orthodox interpretation. Is it because Magic is unthinkable to the modern materialist mindset?
As we will see, this central issue's omission leaves us with a dataset that makes no sense and in no way corresponds to the observable reality of history. Its inclusion, however, snaps Ancient Egypt and the ancient world into focus so decisively that it leaves little to question.
In Season 4 we take an unapologetic and unwavering look into the eyes of Heka.
Through the insights of the leading thinkers, researchers and practitioners, we reframe the singular activity of the ancient world - a grand expression of a living Magic that lives in the relationship between individual consciousness and the conscious fabric of reality.
Season 4 is for the intrepid soul willing to ignore those who would have us believe that there is no Magic, and who is ready to embrace the idea that no matter how advanced the technology, it does not do what Magic does.
The replicated item retains all of its magical properties and functions just like the original. This ability makes the duplicated magical case highly sought after by wizards and magical beings who possess numerous items of power. It allows them to carry an unlimited supply of magical objects, potions, and spell books without being encumbered by their weight. Furthermore, it provides a level of convenience that is unparalleled, as wizards no longer have to worry about leaving behind essential items during their travels. However, the duplicated magical case does come with its share of challenges. One major issue is the potential risk of losing track of which items are replicated and which are original. This can lead to confusion and inefficiency, as wizards may find themselves searching through multiple duplicates to find the specific item they need. Moreover, the case's ability to duplicate items does not extend to living beings. This limitation renders it useless for transporting familiars or other magical creatures. Additionally, the case has a maximum capacity, and overfilling it can result in it becoming unstable and potentially harmful to its surroundings. Despite these challenges, the duplicated magical case remains a highly valuable item in the world of magic. Its ability to replicate items provides convenience and flexibility to its owner, allowing them to carry an entire arsenal of magical resources wherever they go. With careful organization and a keen sense of caution, the duplicated magical case can be a powerful asset to any wizard or magical being..
Reviews for "The Phenomenon of the Duplicated Magical Case: An Unforgettable Journey"
1. John - 2/5 - I was really disappointed with "Duplicated magical case". The plot was convoluted and confusing, with too many magical elements thrown in without proper explanation. It felt like the author was trying too hard to create a fantastical world but ended up overwhelming the reader instead. The characters were also quite one-dimensional and lacked depth, making it difficult to connect with them. Overall, I found the book to be a confusing and unsatisfying read.
2. Sarah - 3/5 - "Duplicated magical case" had an interesting premise, but I found the execution to be lacking. The pacing was inconsistent, with some parts dragging on while others felt rushed. The writing style was also a bit clunky and repetitive, and could have benefited from more editing. Additionally, the dialogue felt forced and unnatural, making it hard for me to fully immerse myself in the story. While there were some intriguing moments, overall, I didn't enjoy this book as much as I had hoped.
3. Emma - 2/5 - I have to say I was quite underwhelmed by "Duplicated magical case". The characters were clichéd and lacked development, and the dialogue was cheesy and unrealistic. The plot was predictable and didn't offer any surprises or twists that kept me engaged. The writing style was also quite amateurish, with awkward sentence structures and poor grammar. Overall, I wouldn't recommend this book to anyone looking for a captivating and well-written fantasy novel.