Once upon a time, there was a little witch named Willow who lived in a small cottage deep in the woods. Willow was not like the other witches in the land. While they were busy concocting potions or casting spells, Willow preferred to spend her time exploring the enchanting forest that surrounded her home. Every morning, Willow would wake up before the sun rose and venture out into the woods. She would follow secret paths, climb tall trees, and discover hidden treasures that the forest had to offer. From delicate flowers to sparkling streams, there was always something new and magical waiting for her.
From delicate flowers to sparkling streams, there was always something new and magical waiting for her. As Willow grew older, her love for the woods only deepened. She would spend hours observing the animals and their fascinating behaviors.
Every witcb way but loose
Fri, Oct 16, 2015 → Sat, Nov 21, 2015
- Opening reception: Fri, Oct 16, 6:00 - 8:00 pm
We're convicted of murder if abortion is planned.
Convicted of conspiracy if we fight for our rights.
And burned at the stake when we stand up to fight.
- Women's International Terrorist Conspiracy from Hell (W.I.T.C.H.), 1969
You keep playing where you shouldn't be playing
And you keep thinking that you'll never get burnt (HAH)
Well, I've just found me a brand new box of matches (YEAH)
And what he knows you ain't had time to learn
These boots are made for walking, and that's just what they'll do
One of these days these boots are gonna walk all over you
- Nancy Sinatra “These Boots are Made for Walking,” 1966
Margaret Meehan’s second solo exhibition at David Shelton Gallery reinvents the career of movie star Ruth Gordon. Referencing Gordon’s 1968 Oscar win for Rosemary’s Baby, and the cult classic film Harold and Maude (1971), Meehan casts the aging actress as the central character in David Lynch’s The Elephant Man. Gordon becomes a stand-in for American women fighting to be treated as neither devil nor angel, just human in a time of sexual liberation and second-wave feminism.
Born in the 1970s and educated in the 1990s during the emergence of third-wave feminism and the Riot Grrrl movement, Meehan is interested in cycles of representation, in particular, the tendency for women to be depicted as monsters. Recent protesters have shouted: “I can’t believe I still have to fight for this shit!” In Every Witch Way but Loose Meehan continues her investigation into otherness, teratology and forgotten histories linking a story based on the life of Joseph Merrick, a man born with physical deformities in nineteenth century London with two characters that Ruth Gordon actually played – one a rebellious iconoclast with a tragic past and the other a member of a satanic coven.
In a time of congressional witch-hunts, Meehan’s exhibition includes collaged and painted cabinet cards depicting suffragettes in updated attire and a video Box of Matches that is a mash up of Nancy Sinatra’s “These Boots are Made for Walking” with the theme song from Rosemary’s Baby to create an elegiac protest march. Other works in the exhibition include text drawings based on movie scripts, as well as film stills, costumes and props from the imagined set where Ruth Gordon is The Elephant Man.
Margaret Meehan (b. 1970, Philadelphia) works in a variety of media focusing on gender and revisionist history. Recent solo exhibitions include Artpace in San Antonio, Conduit Gallery in Dallas and Soil Art Gallery in Seattle. Her work was has been included in recent group exhibitions at the Dallas Museum of Art, the Modern Art Museum of Fort Worth and Centraltrak, Dallas. This past year she was awarded The Nasher Sculpture Center’s inaugural Artist Microgrant.
But. They finally brought in a supporting cast that really can do it! There's this girl from (shudder) PUNKY BREWSTER, Roxie, and she promises to be fun, fun, fun and a perfect foil. Also Elisa Donovan from CLUELESS (hey, almost half the cast is from CLUELESS, kidding) another welcome addition.
She would sit under giant oak trees, listening to the stories whispered by the wind. And when night fell, she would marvel at the beauty of the starry sky, feeling as if she was a part of something much larger than herself. Word of Willow's adventures in the woods spread far and wide, and other witches began to take notice. They couldn't understand why Willow was so fascinated with nature when there were spells to be cast and potions to be brewed. They believed that witches should only focus on harnessing their magic powers for their own gain. Despite the criticism, Willow remained true to herself. She knew that there was a special connection between her and the woods, and she couldn't deny the joy it brought her. And so, she continued to explore the woods, learning its secrets and sharing its beauty with anyone who would listen. One day, as Willow was deep in the woods, she stumbled upon a lost fairy who was crying softly. The fairy had lost her way and didn't know how to get back home. Willow took the fairy under her wing, guiding her through the forest until they reached the fairy's village. Grateful for Willow's help, the fairy granted her a single wish. Without a second thought, Willow wished for the woods to always be protected and preserved, so that future generations could experience its magic and wonder. From that moment on, the woods became a sanctuary. It was a place where witches, fairies, and all creatures could coexist in harmony. Willow became known as the protector of the woods, and her legacy lived on long after she was gone. The story of the little witch in the woods serves as a reminder that it's okay to be different and follow our own passions, even if they don't align with societal expectations. In embracing her love for nature, Willow not only found happiness but also made a positive impact on the world around her. And the woods, forever enchanting, continued to thrive thanks to the little witch who believed in its magic..
Reviews for "The Little Witch's Transformation: Finding Her True Self in the Woods"
- Jane Smith - 2 stars - I'm sorry, but I really didn't enjoy "Little witch in the woods". The story felt messy and confusing, with too many plot points that didn't go anywhere. The characters were also poorly developed, making it hard for me to connect with them or care about their journey. Overall, I found the whole experience to be quite disappointing.
- John Doe - 2 stars - I had high hopes for "Little witch in the woods", but unfortunately, it didn't live up to my expectations. The pacing was incredibly slow, making the story drag on and lose my interest. The dialogue felt forced and unnatural, making it hard to believe in the characters and their interactions. Additionally, the ending left me feeling unsatisfied and wanting more closure. I wouldn't recommend this book to others.
- Sarah Thompson - 1 star - "Little witch in the woods" was a complete letdown for me. The writing style was overly simplistic, making it feel more like a children's book than a captivating fantasy novel. The lack of depth and complexity in the story left me feeling bored and unengaged. I wasn't invested in the characters or their journey, and I found myself skimming through the pages just to finish it. Unfortunately, this book just wasn't for me.