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The song "Offensive" by Magic is a thought-provoking and impactful composition that tackles sensitive topics and raises important questions about societal norms. Released in 2016, this song challenges the listener to reflect on their beliefs and prejudices. The main idea of this song revolves around the power of words and the impact they have on individuals and communities. Magic uses strong and provocative lyrics to convey a powerful message about the harmful effects of offensive language. By doing so, he encourages listeners to think critically about the way they communicate and the potential consequences of their words. One of the key elements of "Offensive" is its use of storytelling.

Life is looking pretty good for Madeline Bennet. She can finally see the magic to unlock the thresholds to Aparia, and her love life is more stable than it’s ever been.

But Odysseus is no match for her as he can do very little but cry and be miserable until he has to ask his friends the gods to break up with her on his behalf. If one has a choice between a really long, tedious, uncomfortable and dangerous journey by sea or stay in a warm cavern smelling of burning wood, cloven cedar and juniper, what option would one take.

One of the key elements of "Offensive" is its use of storytelling. Magic tells the story of a man who experiences the consequences of his offensive language firsthand. Through this narrative, the song emphasizes the importance of empathy and understanding in our interactions with others.

Calypso, the Art of Owning Her Narrative and the Magic of Good Housekeeping

From Calypso, the solitary enchantress of the Odyssey, we learn the power of creating a beautiful environment. Calypso was the goddess-nymph of the mythical island of Ogygia and a daughter of the Titan Atlas. She “detained” Odysseus for many years in the course of his wanderings after the fall of Troy but was eventually commanded by Zeus to release him.

Odysseus’ ship was destroyed by the whirlpool of Charybdis and he escaped on floating wreckage. Odysseus drifted for nine days until the gods led him to the island of Ogygja where Calypso lives. Odysseus describes her as “the goddess of braided hair and of strange powers and of human speech; she welcomed me and tended me.”

While Odysseus was being mended, the gods assembled in divine council, and Athena began to recount to them the many distresses of Odysseus that again had come before her mind, “He is pent up in an island now,” she says, “overwhelmed with misery; he is in the domains of the Nymph Calypso, who is keeping him with her there perforce and thwarting return to his own country.” Thus to escape from a lone woman, the hero needs the gods to step in.

Zeus send Hermes over to Calypso’s place, and from Homer’s description of her home one can see why it takes Odysseus so long to leave. One may imagine Calypso to have some sort of supernatural power, but she is a nymph. Her powers, although she has some, are limited. So what could have stopped the powerful Odysseus from leaving? “… when he (Hermes) had reached that far-off island he left the violet ocean and took to the land until he came to a great cavern; in this the Nymph of the braided tresses had made her home, and inside this he found her now. On the hearth a great fire was burning, and far and wide over the island was wafted the smell of burning wood, cloven cedar and juniper.” Cozy, isn’t it? If one has a choice between a really long, tedious, uncomfortable and dangerous journey by sea or stay in a warm cavern smelling of burning wood, cloven cedar and juniper, what option would one take?

The vision continues, “In the space within was the goddess herself, singing with a lovely voice, moving to and fro at her loom and weaving with a shuttle of gold. Around the entrance a wood rose up in abundant growth–alder and aspen and fragrant cypress. Birds with long wings roosted there, owls and falcons and long-tongued sea-crows that have their business upon the waters. Trailing over the cavern’s arch was a garden vine that throve and clustered; and here four springs began near each other, then in due order ran four ways with their crystal waters. Grassy meadows on either side stood thick with violet and wild parsley.” – Calypso the enchantress is a fabulous homemaker. She makes sure that her environment is as beautiful as she is. This is important as a person’s home reflects them. By stepping into someone’s house, room or apartment, one can get some general idea of what kind of person is the master or mistress of the house.

And it is not just the home. We can do this with the simple things. We tend to associate certain pleasant feelings with people – from perfumes, flowers to good food. My family associate me with the smell of brownies as I would make a big batch of them every weekend and, to this day, I cannot walk past a landscape painting without thinking of my grandfather as he himself was a painter. You own your space not by “manspreading” as young people call it, but by understanding your own taste and what makes you special – this inspires confidence and confidence is irresistable even for the most virtuous heroes. So even by bringing a bit of sense of warmth and pleasant feeling with you when you walk into a room will make people feel that something is missing when you are gone. This has nothing to do with “catching” a man or a woman. It is about making you comfortable in your own world before sharing it with other people.

Now back to the brave hero. Where is he in Calypso’s magnificent home? In Homer’s words “bold Odysseus was not to be found within; as his custom was, he was sitting on the shore and weeping, breaking his heart with tears and sighs and sorrows.” So Odysseus, after days of drifting aimlessly at sea, almost dying with no food or shelter, is “forced” to stay in this heaven. And now he is crying because he doesn’t want food, shelter and a gentle woman caring for him. Of course, Odysseus sleeps with Calypo at night but, Homer assures us, “this was against his will; she was loving and he unloving.” How awful it must be to have to sleep with a beautiful woman every night to wake up in a lovely home and delicious food.

Odysseus’ reasons for crying is, I’m sure, heroic. However, by owning her space, Calypso also put herself in charge of the narrative. She’s the queen of the castle, Odysseus is just a guest – and a rather tedious guest at that. From Calypso’s point of view, she is a catch. She is beautiful, powerful and capable of giving Odysseus anything he asks. Clearly, she has a lot to give a man. But Odysseus is no match for her as he can do very little but cry and be miserable until he has to ask his friends (the gods) to break up with her on his behalf.

As it turns out, this is exactly what Calypso does. When Hermes tells her the purpose of his visit is to free Odysseus from her clutches, Calypso is understandably offended. “I saved him when he was all alone and astride his keel, when Zeus with his flashing thunderbolt had shattered and shivered his rapid vessel in the midst of wine-dark ocean. All his brave comrades perished then; he alone was borne on to this place by wind and wave. I welcomed him and tended him; I offered him immortality and eternal youth.” In short, Odysseus almost died in the ocean because of Zeus’ thunderbolt only to be saved and tended to by Calypso who was doing just fine living in her own little heaven until he comes along.

Calypso is much too secure in her own power to cry over this. She says to Hermes, handling the break up with class, “so let the man go–if such is the word and behest of Zeus–go where he will over the barren sea. I cannot help him to depart; I have no ships or oars or crew to speed him over the sea’s expanse; but gladly enough, without concealment, I will counsel him how best to reach his own land unscathed.”

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Calypso, the Art of Owning Her Narrative and the Magic of Good Housekeeping

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