deborah logan real story

Black magic, also known as dark magic or malevolent magic, is a term used to describe supernatural powers used for harmful and malicious purposes. The practice of black magic transcends cultural boundaries and is present in various cultures around the world, including Mexican folklore. Mexico, with its rich history and diverse culture, has its own traditions and beliefs when it comes to black magic. Mexican black magic, often referred to as "brujería," is deeply rooted in ancient indigenous practices and superstitions. It combines elements from different cultural and religious traditions, such as Indigenous beliefs, Catholicism, and African traditions brought to Mexico during the colonial era. In Mexican folklore, black magic is often associated with witchcraft and sorcery.

11. Lions at Lunchtime (1998) - probably a few days later

There are three lines of books 1 Magic Tree House for beginning chapter book readers, 2 Merlin Missions for more advanced chapter book readers, and 3 Fact Trackers for fans of straight non-fiction. In 1997 an Anthropologist and missionary working in the area, said that the Korowai will probably continue their traditional life style for another generation before integrating into modern society.

In Mexican folklore, black magic is often associated with witchcraft and sorcery. Brujería practitioners, known as "brujos" or "brujas," are believed to have the ability to manipulate supernatural forces for both good and evil purposes. These individuals are often sought after for their alleged abilities to cast spells, create love potions, and bring harm to enemies.

Witches and Trees

It strikes me that there are many historical, folkloric, and cultural connections between witches and trees: witches are often described and depicted as gathering under, hanging from, and riding on branches of trees, “witches’ broom” is a tree disease or deformity, the rowan tree was traditionally associated with the warding off of witches. I’m leaving aside the arboreal associations of modern witchcraft. There’s something about the forest primeval in general, and trees in particular, that creates an environment of secrecy and sorcery: this was a setting that was cultivated by Renaissance etchers and resurrected by Victorian illustrators. The trees are often spindly, haggard, misshapen, and barren, like the women underneath them.

Daniel Hopfer, Gib Frid (Let me Go), early 16th century etching, British Museum; Edward Gurden Dalziel, illustration from Judy Magazine, 13 February 1878, British Museum; Arthur Rackham, ‘The Witches Sabbath’ illustration for ‘The Legend of Sleepy Hollow’, George Harrap & Co, 1928.

The association seems to be strongest in the folklore associated with Italian witchcraft. In Benevento, the “City of Witches” (occasionally referenced as the “Italian Salem”), witches from all over the world were said to gather annually under a storied walnut tree–a tree that was definitely fruitful. It’s an age-old, deeply-rooted story whose origins seem impossible to trace (at least for a short blog post), but the streghe under the walnut tree have certainly inspired a variety of cultural expressions and commodities, from works of art to musical compositions to the famous Strega digestif, manufactured right in Benevento since 1860.

Guglielmo della Porta, The Witches at the Walnut Tree of Benevento, pen and ink drawing, mid 16th century, Metropolitan Museum of Art, New York; Lithographed songsheet for Paganini’s Dance of the Witches, 1830s, British Museum; Strega label and walnut tree outside the Alberti factory in Benevento.

To the north there is another representation of witches gathered under a fertile tree: the famous mural of Massa Maritimma, dating from the mid- to late 13th century and uncovered in 2000. Situated on a wall in the town center enclosing the communal “Fountain of Abundance”, this tree bears strange fruit: phalluses which the women below are picking and gathering. The discovery of the obscene (. ) mural was shocking for some (and its subsequent cleaning remains controversial—you can read about it here), but not to anyone who has any familiarity with the Malleus Maleficarum (the “Witches’ Hammer) a practical guide to identifying, detecting and prosecuting witches published in 1487. Due to its sheer popularity, which is evidenced by many editions and translations, most historians believe that the Malleus contributed to the intensification of witch-hunting in the early modern era, though its exact role is open to debate. It seems pretty clear to me that the book’s popularity is based in its accessibility, and the sensationalistic anecdotes that its authors (Heinrich Kramer and Jacob Sprenger–probably more the former than the latter) include, among them oft-cited passages about witches stealing men’s “virile members” and hiding them in nests nestled in the branches of trees.

The Massa Marittima Mural and detail; you can see it in situ here, and read more about its symbolism here.

6. Afternoon on the Amazon (1995) - the next day

While some forms of brujería are believed to be used for positive purposes, such as healing or protection, the use of black magic in Mexico is also associated with malicious intent. Hexes, curses, and spells aimed at causing harm or misery to others are believed to be common practices within the dark side of Mexican black magic. Mexican black magic rituals often involve the use of various objects and symbols, such as herbs, candles, amulets, and talismans. These rituals are performed in secret and are passed down through generations within families or specific communities. Despite its prevalence and deep-rooted history, the practice of black magic in Mexico is often met with skepticism and caution. Many view it as a form of superstition or folklore, while others believe in its potential power and harmful effects. As a result, black magic remains a controversial and mysterious aspect of Mexican culture. It is important to note that black magic, regardless of its cultural context, is generally considered ethically and morally questionable. The intentional manipulation and harm of others using supernatural means is widely seen as a violation of individual autonomy and personal well-being. In conclusion, Mexican black magic, or brujería, is a complex and multifaceted aspect of Mexican folklore and cultural tradition. Rooted in ancient beliefs and practices, it combines elements from different cultural and religious traditions. While beliefs about its efficacy and ethical implications vary, it remains an integral part of Mexican cultural heritage, shrouded in mystery and intrigue..

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